Review: Proud Knight, Fair Lady
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An enchanting childhood favorite
As a child, there were three things I loved more than anything else: Jesus, King Arthur, and Star Wars. Actually, as an adult I still like all those things, but that’s not the point. The point is, I used to spend hours combing the libraries at school, and three books had the power to mesmerize me over and over again. I kept returning to them, reading them again and again til I had them practically memorized, and still I couldn’t get enough. Especially when I felt sick, I would curl up under a big quilt and reach for these well-loved favorites. They made me feel better in ways chicken soup just didn’t. When I was old enough to get a job, I spent a great deal of time tracking to track these books down (they were all out of print by the time I was 16). Two of them I found, and one is still out there, eluding me.
So what were these mysterious books? The first was Secret Camelot: The Lost Legends of King Arthur – how could anyone resist a title like that?! The second was The D’Aulaire’s Book of Greek Myths (that’s the one I still haunt Half Price Books for). And the third, well, that’s today’s review of choice.
Flash forward several years, and Sunday night I caught the beginnings of what turned out to be a low-grade sinus infection, caught early enough that I’ll have to take penicillin for 10 days but otherwise I’ll be fine. But last night, before I knew any of that, all I knew was that I was feeling crummy. So I walked over to my bookshelf and pulled down this one, drawing comfort and strength from its familiar pages.
Genre: fiction, anthology
Plot: Marie de France is the best medieval author you’ve never heard of. Her stories (“lays” which are confusing because that’s also the term for her source material) are elegant and enchanting in the finest Arthurian tradition. Beautiful princesses, lovestruck knights, magic and quests — it’s all here, but most of all it’s all new and fresh since most of us didn’t grow up with these stories.
Structure: A short introduction, followed by 12 chapters (one for each story, of course)
Execution and Style: I don’t just love this book because I have great childhood associations with it (although that certainly helps). I love it because translator Naomi Lewis has managed to put into prose the elegance of song. She captures so well the spirit of the stories as they were originally heard, managing to reignite the spark of childhood wonder in me no matter how old I am or how many times I’ve heard the stories before.
The stories themselves are wonderful. Some of them are remarkably sad, but all of them are quite compelling. Not in a common, Hollywood way–much too old for that (it’s eerie to think of a writer who lived over 800 years ago referring to “bygone” and “ancient” days). But they are compelling nonetheless because they touch some great part of us that still longs for good knights and pretty princesses.
The illustrations, however, are what really sold me on this book. Angela Barrett is supremely talented, giving richly detailed and moving full-page illustrations for every story plus multiple smaller ones to spice up the pages. I love how she captured a world so far in time and yet made it seem so real, like these stories really did happen a long, long time ago.
Is it the best piece of fiction out there today? No, certainly not. But this is the kind of book that’s good in a different way; not because it’s thrilling or new, not because you can’t wait to get to the climax, not even because it’s an interesting work that causes new information to be imparted. It’s good because she speaks of childhood dreams and fantasies, seeking to reunite us with that small, usually hidden part of ourselves that used to love hearing a good bedtime story. And sometimes that’s exactly what we need.
Theme: ancient Britain/France, legend, King Arthur, knights
Read This If: my review made you want to build a fort in your living room
4 out of 5 stars.
Other Works:
Naomi Lewis (1911 – 2009) was the author of many children’s books, including a great number of fairy tale retellings. It appears this was her only work to deal with the more academic subject of Marie de France. Since she played such a huge role in the book, I’ll also mention that Angela Barrett is also a prolific illustrator for children’s books. You can find both of their works on Amazon.com
If you liked this, you might also like:
John Matthew’s Secret Camelot
Ingri and Edgar Palin D’Aulaire’s Book of Greek Myths and Book of Norse Myths
William Bennett’s The Book of Virtues
On an unrelated note, any of you readers a part of GoodReads.com? I haven’t had a chance to poke around it too much, but I’m hoping it’s more like this site and less like Shelfari. Comment if you can guide me in the right path on this.

